Tuesday, 4 January 2022

Spectrum love - beyond the rainbow


If you are in a Truman Show-like environment controlled and contained by neurotypicals, to romantically match you with other autistics, you are not living in the real world. A ‘cotton wooled’ dreamscape where you fantasize about forever love, the perfect match, marriage and children and independent living in your own home. This ableist fodder, as I consider it to be, presented in Love On The Spectrum (LOTS), seems like a wholesome and sanitised alternative to the can’t look away sensationalism of Married At First Sight. Admittedly I love watching both shows, however, elements do not match up with my real world experiences as an autistic. 

I, like my autistic compatriots in the LOTS TV show, have an idealised view of relationships. I badly wanted to have children and meet someone who would be my forever soul-mate. There is in LOTS a neurotypical narrator and a neurotypical relationship counsellor overseeing the love-fest to make sure the autistics don’t get too weird. Comfortably strange and cute is preferable to scarily strange exhibiting a stim, outbursts of anger or inappropriate comments. The narrator on occasion comes across to me like David Attenborough guiding the viewer through the mannerisms of an exotic new species of bird, 'if I stay quiet, I can get quite close to the autistics who one can see exhibit many human characteristics during their courting process'. We cheer with them when they act normally or in a cute non-threatening variation of normal. 

Millions of people all over the world have now enjoyed voyeuristically watching the autistics over successful seasons as they fumble their way through the relationship jungle of normative socially embedded behaviours we have had reinforced hundreds of times over in the westernised zeitgeist through  TV, social media and in movies. Neurotypical viewers in the comments sections tell us how it’s their favourite show, it makes them cry and is so heart-warming, yet almost every autistic person I follow on social media express feelings, on the emotional spectrum, from uncomfortable to outraged. 

Those autistics chosen for the show must feel extremely anxious and exposed with the cameras following them around allowing us to watch their driving pursuit for love. Yet I see limited footage of stims, shutdowns/meltdowns or other self-comforting activities. No one wants to see an autistic comfort themselves by sucking their thumb or compulsorily picking their nose. Just admit you are watching it because you like their cute and funny squeaky Americanised voices, their innocent idealised views of love and naïve yet earnest attempts to woo their fellow autistic mates. A Hollywood like world, where true love blossoms and everyone lives happily ever after.

I was just like those young people once. I would go into my parent’s backyard and stare at the stars, praying to God that I would find my true love and have children, perplexed by the requisite social engagement to reach my dream. I knew deep inside that I could give love to another person and I wanted to have kids to tell them how beautiful they are and that they are so special and wonderful.

I want to tell you about my experience of the quest for love where my idealised dream crashed head-on into a neurotypical Mack truck, as an autistic person. At school and uni I didn’t have a girlfriend. I wanted one and girls liked me. How could I tell with my dreadful social interpretation skills? They would say it to my face, “you are cute”. This would result in mind-numbing anxiety and dissociation where I would freeze on the spot wide eyed like a stunned mullet. 

I could not for the life of me work out the process to transition from being alone to being in a relationship. Why can’t you just say “I want to be your boyfriend?” Then we just do all the things on TV shows. Also, who do you ask about it? Nowadays there is Google and the internet to search for strategies to find and maintain a relationship. 

The main issue was getting words out. I had no script and no plan. In high school I would sit next to a girl on a couch at a party, sweating, staring at my shoes, heart racing and hyperventilating. I wouldn’t make any eye contact because it would be too intense to look at their lovely face and felt light-headed. One time I had the great idea to play my favourite Electric Light Orchestra song at the time ‘Calling America’ to share the awesome experience I felt from listening to it. She would feel that same as me about the swirling magical synthesiser tune giving us both goosebumps. Then we would bond over this song and hang out to listen to it repeatedly without talking. That was not effective. 

The obvious school peer group reaction for someone who was incapable of having a girlfriend was to say I was gay. I wish I was gay. A lot of autistics are attracted to same sex partners, but I felt nothing romantically for men. I’d walk past one girl and she would poke me with her finger on the bum ordering me to come out. Another would sit on my lap on the school bus to try to get.me to ‘stand to attention’ in front of everyone.

University transition was very hard. I would sit in the uni refectory by myself eating chips wondering how to make friends. I had seen ‘Family Ties’ and ‘The Cosby Show’ giving advice to just be yourself and act naturally. Trouble is who I am is pretty weird to other people. It was actually a massive step to go to the refectory after a year of eating lunch in my car and doing laps of the uni library aisle by aisle before a lecture or tutorial. For final year I gave up and just stayed home watching ‘Teenage Mutant Ninja Turtles’, Ray Martin on Midday, Phil Donoghue and Sally Jesse Raphael. I swear Ray, Phil and Sally could see me and hear what I was saying to them. They felt like my friends and familiar faces.

My first relationship was with my manager at work. I was 24 and she was 26. She would organise meetings with me at the local pub to talk about my work. So used her position to seduce me using the façade of helping me with my work, no one else knew or, if they did, did nothing. Before I knew it, I was living with her in her house, paying her mortgage and accompanying her to hospital as she was living with mental illness. She wanted us to have a shared mental health journey and, before I knew it, I was also seeing a psychologist, taking antidepressant capsules and having a short stint in a psychiatric ward after convincing myself I wanted to die just as my partner did.

I became engaged to my manager as I thought that is what I am expected to do. In a manic state she rejected the first ring I bought her saying the clarity was too low. I tried to return it and the shop had a no returns policy. So, I bought another ring with higher clarity. I had now spent $12,000 and she had two rings. I had also spent $50,000 on her mortgage and bought her a new car while she was bed-ridden with a bulging disc in her back unable to work. 

She was also contesting a workers compensation case with our workplace involving lawyers, surveillance vans out the front of the house and pain killers. It was not all bad. I gained great insight into mental health conditions and empathy for those suffering their effects. 
She also taught me that you don’t get paid for sitting around and that you need to put in the effort to earn your salary. She was also the only person, apart from my Dad, who put in the effort to teach me how to do my job.

She also helped me with the process to buy my own house as well as sell items at trash and treasure, live to a budget and enjoy life. Although I did wonder why she would kiss other men and talk non-stop to strangers at nightclubs to solve their problems. The day she suggested we needed to both kill ourselves by stabbing each other after leaving a trail of our favourite books to where our bodies would lay, I jumped over the back fence, rang my Dad and left. 

After my first relationship I swore to myself not to ever get into any relationship remotely like that one. I bought my own unit and spent all my non work time by myself, mainly due to me still having no idea how to instigate a relationship. In that time, I wrote a love letter to the daughter of my next-door neighbour and left it on her car windscreen, went out dancing on Friday nights with a gay work colleague, who I thought was my Friday night dancing friend, but turned out he thought we were going out.

I just worked really hard, ate Coco-pops with long-life milk in my room, visited my parents and saw movies by myself. I remember one time walking to see a movie in a purposeful ensemble I had put together to attract my forever love who I would miraculously meet while sitting by myself in the darkness of a cinema. It featured silver tracksuit pants and a thermal singlet. I was halfway down the road when a couple of blokes in a ute wolf-whistled me.

I met my first wife through friends of friends. It was about four years I had been single and I thought this was my last ever chance to find my soul-mate. She was in my house and she seemed interested in me. It all happened very quickly. Before I knew it there I was with a woman who was nine years younger than me. I didn’t fully understand the signs of dysfunction like her faking a pregnancy when I tried to break up with her or wanting to do activities without my involvement that I paid for. In the space of weeks, I was forced to sell my car, my house and over the five year relationship bought another five cars and two houses. We got married at a place she chose with her friends and they decided on the particulars including the honeymoon destination, which I spent mostly alone. All I had to do was keep working, keep paying, stay silent and out of the way.

I did have two beautiful boys. When my son was around 18 months, he was diagnosed with Pervasive Development Disorder – Not Otherwise Specified. My ex-wife fully embraced the identity of the ‘autism warrior mom’ by seeking every possible treatment on a quest for cures sourced from online discussion groups. I was completely sidelined from all of this world, kept well away from the team of therapists, alienated from my friends and from my family. By now I had no access to the joint bank account, no house key and wasn’t permitted to drive the car. I went to work every day. The verbal, financial and emotional abuse was constant. She started going and staying out every night saying she was with her friends and that I was old, stupid, ugly and a weirdo. It was just me and the boys most of the last year as my ex-wife had commenced her transition to her new life. 

I knew the relationship was bad, but with two boys in the mix, I did not want to leave them as they were, and still are, my everything. The five years of marriage were a whirlwind, and I had no control or idea what was happening or going to happen next. It has only been in recent years that I have really understood how abusive the relationship was. Then one day, my then wife, said she was lesbian and had a new partner. She said I could still live in the new house we had bought a few months earlier and I could be in the large toy room now used for my son’s extensive daily Applied Behavioural Analysis ‘autism’ therapy and that her new partner would just move in.

When that approach didn’t work, one day after accidentally using the wrong toothbrush, she ran at me in anger. I put my hands up and she ran into me. She said, “you are gone”, took a photo of her arm and also that she was going to the police. I was in great fear of being falsely accused of domestic violence and would not be believed due to my less convincing verbal communication and social negotiation skills. The aggressive and abusive man narrative is powerful and she knew it. 

She was a 5 feet tall quietly spoken women who had a disabled child while I presented as tall, odd and a much older man. I had to leave, fearing I would end up on a fictional abuse charge, and moved back to my parent’s house. I left my boys, the saddest and hardest thing I have ever done in my life. Her new partner moved into the house the next day and they started their new little family. For over a decade I have engaged in tortuous dealings with lawyers, Government agencies, Relationships Australia, schools and service providers, where an autistic person has no chance and abuse is perpetuated by many good meaning people. These are societal elements in much need of a reality show to depicting the ongoing experience of autistic people in Australia.  

Representation is important and LOTS does give autistic people visibility, however, the show is for a neurotypical audience, with a neurotypical (NT) relationship counsellor telling autistic people to be more 'NT', even when dating other autistics and for a group of adults. Autistic people have found our voice most powerfully on social media. Follow #actuallyaustitic on Twitter and you will find a global network of autistics who share their experiences and fight for change. It is a highly combative fight, with my brave autistic sisters and brothers challenging the billion dollar autistic industry only to find neurotypicals aggressively trying to keep in control. Institutions and professionals who have the power to control our lives, must not be able to continue to profit from us and enable and reward our abusers. 

As humans we all must endure some level of pain and suffering to continue on our personal quest of life. Sometimes this quest diminishes us and breaks some parts. Other times we grow and evolve, discovering new meaning to help us through the next challenge. My autism has been a shield protecting me from the multiple experiences of abuse, allowing me to detach from that reality and focus on special interests, in my case sport, music and movies and carry on in my own cocoon of calmness. 

They have also attracted harm to me as there is always someone who is looking to take advantage of the vulnerable and the innocent, to steal from my autistic loyalty, extreme empathy and generosity. While neurotypicals have and continue to bring me suffering, they have also taught me and showed me deep kindness and true love. 

My wife of 9 years, my sons and stepdaughters, family and our friends who show me each day a love, even I could never have imagined from staring up at the starry night. 





Friday, 3 October 2014

The Avengers (2012)

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The Avengers (2012)
Now that all of the Avenger characters have been introduced in the previous six movies they combine forces in the seventh to battle Loki (Thor’s naughty adopted brother) who has the power of the Tesseract (glowing cube of awesomeness). The Tesseract was first seen in Captain America and temporarily used by Red Skull. 

But do not think too hard about any of the elements of this movie or like a house of cards it will fall in on itself. Loki with the backing of some decrepit looking fellow wearing a cloak, the use of his power stick and the glowing cube tries to invade earth and enslave humankind. This is effectively an alien invasion and why SHIELD (the Strategic Homeland Intervention, Enforcement and Logistics Division) was formed. The Logistics part of SHIELD is basically to assemble resources in this case The Avengers (Thor, Iron Man, Hulk, Captain America, Black Widow and Hawkeye) to defend earth.

After doing research it appears there are up to 100 Avenger members including honorary ones. This includes intriguing examples such as Spiderman, Daredevil, Wolverine and the Fantastic Four which have all been made into previous movies. [Gambit1024 2012] This could result in hundreds of Marvel movies. 

The big winner from ‘The Avengers’ was Mark Ruffalo as the Hulk who stole every scene he smashed, crushed and leaped in. Finally after the first two Hulk movies it was decided to make him more human than a destroying monster.  This meant the CGI Hulk, using the same technology as Gollum from the Lord of the Rings series and modelled on Mark Ruffalo’s face, could demonstrate humour and deliver some classic one-liners such as ‘puny God’ after throwing Loki around like a rag doll. The big fellow also had a major dislike of Thor and there is an amusing ‘Three Stooges’ like slapstick piece where he dongs Thor without looking at him. 

The only other mildly interesting character was Black Widow (Scarlett Johanssen) who used her intelligence and coordination to beat her foes and gave the female audience members someone to support. Perhaps She-Hulk or Spiderwoman may make an appearance down the track in ‘The Avengers 35- Enough already’.

The death of Agent Coulson (Clark Gregg), a surprisingly emotionally void scene, is the catalyst for bringing the egos and the conflicting personalities together, as if saving the earth from invasion is not enough. Samuel L Jackson as Nick Starr is charismatic but he is just a human or a bureaucrat with a cool coat and an eye patch. The other nagging point is where is Natalie Portman’s character from Thor? Gwenyth Paltrow got an appearance. 

The settings range from the dark SHIELD headquarters to the flying aircraft carrier to Iron Man flying into space to blow up the invaders.

All of the special effects have been seen before. The crumbling earth, the portal, the fight scenes and Manhattan being destroyed not by Godzilla or the Cloverfield creature but by an armoured leviathan monster. Poor Manhattan. Combined with the sound effects of explosions, weaponry and destruction it all gets quite tedious by the end of the movie as the final battle scene seems to run for a long time. The music is military in nature and grandiose but ultimately just background noise that does not satisfyingly stir the emotions. Could definitely have done with some ACDC. The 3D effects were excellent but not in the James Cameron Avatar league.

Josh Weadon has made a Michael Bay Transformers clone with this movie. The emphasis is on action and special effects and it is aimed at males who spend way too much time on the internet and paid too much attention to audience focus groups. If only Iron Man or ‘Xmen: First Class’ could have been used as the role model. 

The most disappointing aspect of the movie is the ending where a character called Thanos, name/motivation/background withheld, shows his face. Reading up on Thanos in the marvel comics he at one point falls in love with death in female form and tries to make her happy by destroying the universe. [Ohitsme and Shadow1186]

There is no point in thinking deeply about any of the elements as it really is a reinvention of the ‘Three musketeer’s’ “one for all and all for one”. The Hulk kicks Loki in the bum.
Sometimes it is easy being green. (3 stars out of 4)
Return to Avengers page

Captain America- The First Avenger (2011)

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 Captain America- The First Avenger (2011)
Set in the 1940s this is an old fashioned style of movie where the hero Steve Rogers/ Captain America (Chris Evans) runs on heart, integrity and American values. He is one puny man who is determined to join up for the US military forces during the Second World War but keeps being rejected due to his weak physical condition. Along comes Dr Erskine (Stanley Tucci) who together with Tony Stark’s Dad genetically modifies Steve Rogers into a muscled and superhuman man, much like the East German athletes of the 1980s or ironically the Ben Johnson/ Marion Jones from the Western side of athletics. 

With his super strength and undoubtable courage Steve Rogers can now face Schmidt/ Red Skull (Hugo Weaving) in German territory to stop the forces of the evil Hydra. Steve Rogers is a character the viewer can get behind as he is the classic underdog. Bullied, underestimated and mocked even in hero form. He also has a love interest Peggy (Hayley Atwell), depicted in true 1940’s style where the most raunchy romantic activity is kissing. 

Captain America as the first avenger uses a knight’s shield, which he throws like a rare metal Frisbee/boomerang that somehow knocks out his foes and bounces back to his hand. The characters are transported in time from 1940s America and Germany to present day New York. What struck me most about this movie is the emphasis on tragedy and loss with best friends and girlfriends lost to wartime battles and the passage of time. While this was not overly deep or mentally challenging it definitely moved me with its innocent sensibilities. I believed in the relationship between Steve and Peggy, perhaps because they appeared more as respectful friends than sex crazed lovers. Peggy loved the character of the man within and Steve Rogers had the qualities of the gentle skinny nerdy man within.

Tommy Lee Jones and Hugo Weaving were excellent. Tommy Lee provided good humour with his brash one-liners delivered with great comedic timing and Hugo Weaving had a wonderful German accent. He was disturbingly believable as a psychotic megalomaniac rivalled only by Hitler perhaps reprising his Mr Smith character from The Matrix (1999) or V from V for Vendetta (2005).

The special effects were injected well into the storyline supporting the scene being presented. The CGI depiction of the action scenes, in particular the tragic train scene look seamless. The transformation scene from nerd to hero is exciting and the sound is crisp and energetic. The Zeppelin aerial fight scene was also well imagined from a technical perspective reminding me of the Star Wars scene on the Millennium Falcon where the tie fighters are shot at like a video game. When combined with the 1940s full orchestral arrangements of Alan Silvestri this creates a stirring atmosphere, particularly the theatrical piece ‘The Star Spangled Man’. (Baadassss 2011)

Joe Johnston has directed a superhero movie that romantically matches Richard Donner’s Superman (1977) but unlike its predecessor is not a classic movie. It is a solid movies with as much heart as its hero preaching messages about old fashioned values of loyalty, truth and justice that hark back to an America I’m not sure exists anymore.
(3 spangled stars out of 4)
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Thor (2011)


Thor (2011)
There are major issues when watching a superhero action movie and one starts thinking about other mundane matters like washing, work and what to eat. This is staggering given the Director is Kenneth Branagh who directed Henry V (1989) and Hamlet (1996). Thor is from Norse mythology featuring King Odin and Beowulf, all interesting characters. What went wrong?

The plot is so classically tragic it is boring. Thor is set up by his step-brother Loki (Tom Hiddleston) resulting in his Dad Odin (Oscar Winner for Best Actor in Silence of the Lambs 1991 Anthony Hopkins) taking away his big hammer (Mjölner) and banishing both him and the hammer to earth. There is a sub-sub plot with an Excalibur (1981) type edge where only the one worthy person in the universe can wield it. The movie also features one of the most awkward romances in superhero history as Thor (Chris Hemsworth) and Jane Foster (Natalie Portman Oscar Winner for Best Actress in Black Swan 2010) have no chemistry and almost act as an AC or DC frequency repellent.  

Thor the movie and character (Chris Hemsworth) more closely resemble Conan (1982) the movie and character (Arnold Schwarzenegger) At least Conan had a sense of camp humour, gratuitous nudity and James Earl Jones as a snake.

The story is set on Asgard, Earth and Jotunheim (where the Frost Giants live).  Thor basically goes between the three locations and indiscriminately belts up their inhabitants. He likes beer and eats and acts like a pig. In short he is like an Australian Viking Bogan. The motives of Thor even when he has supposedly learnt his lessons on Earth and gained insight into his actions are highly dubious. To stop Loki, Thor once again uses brute animalistic strength to dismantle the beautiful rainbow bridge with his all-powerful hammer to block off the Frost Giant army from entering Asgard.

The only performance of any note is Anthony Hopkins as Odin who must be wishing he was locked up in his Hannibal Lector face mask eating fava beans and conversing with Jodie Foster about cannibalistic serial killers. 

The best special effects are limited to the battle with the frost giants. The CGI rendering of Asgard looked fine but for a place where Gods hang out it looks less impressive than actual footage of the Beijing CBD. The effects for Jotunheim made it look cold and icy and the music accompanying the special effects was used solely as background, very similar to The Incredible Hulk. The filming was limited to New Mexico on Earth inside a recreational vehicle, a shop, a bar and the plastic military facility. The best sound effect was when the giant suit of hollow armour shot out a fire beam with a metallic ‘zwanggg’ noise. 

The major issue with the movie is the pacing. At times I just dozed off, especially when Loki kept going backwards and forwards between the various worlds. I’m also not sure how a plastic covered quarantined military area can stop someone, let alone a God? Why did he have to walk along plastic corridors to get to his magic hammer? The movie also introduced Erik Selvig (Stellan Skarsgård) and Clint/ Hawkeye (Jeremy Renner) who play such minor roles that their presence in this movie is so they can reappear with some minor familiarity in The Avengers (2012).

The film is about family betrayal and if you are an older sibling watch out for the younger ones and if you are the younger sibling make sure your Dad really is dead before you attempt a coup or challenge his Estate. 
Thor-out your brain after this one. (1.5 stars out of 4)
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Iron Man 2 (2010)

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Iron Man 2 (2010)
This time Tony Stark is facing a new foe Ivan Vanko (Mickey Rourke) after his triumphant performance in The Wrestler (2008) where he basically plays a similar meat head tattooed character with seemingly savant abilities in electro engineering technology. Plus he has a passable Russian accent. There really is not much to this plot. There is also a thinly veiled link between the old Cold War days with a modern twist. Mr Vanko could be well placed to say on behalf of Russia and himself “thank you America for ruining my country’s economy, social system and taking my Dad’s scientific ideas!’ Basically Ivan wants revenge facilitated by Tony Starks bumbling lesser competitor Justin Hammer (Sam Rockwell) who provides liberal doses of humour to the movie.

There is also a subplot where Mr Stark’s mini-arc reactor is contaminating his blood. What is keeping him alive is also killing him. The veins are spreading from his heart like a mini nuclear reactor leak or bodily Chernobyl. This fatal flaw in his own technology is possibly the main driver for Tony Stark’s reckless fatalistic behaviour as he parties like it is his last day on earth. Pepper Potts (Gwyneth Paltrow) and this time Lt Col Rhodes (Don Cheadle) trying to keep him together through regular interventions. This eventually leads to a showdown with Ivan Vanko’s remote control drone-like robotic army.

Like the first Iron Man movie there is gratuitous product placement for Audi and an expensive Maybach car that is cut up by Ivan Vanko with his electro whip gloves. I was also hoping Ivan Vanko could possibly endorse Smirnoff or Pepper Potts Dr Pepper soft drink but it was not to be.
Robert Downey Jr is as crazily cool as his first performance. He nonchalantly carries the movie on his back. There are also small parts for Scarlett Johansson as the feisty Natasha Rushman/Romanoff/Black Widow and Samuel Jackson as the imposing Nick Fury. Agent Coulson (Clark Gregg) is again present in the film as he is in all Avenger series movies as the pivotal linking character. 

The special effects are blended well into the movie and it is the interaction of the various characters that takes precedence. Jon Favreau’s direction keeps the movie moving at an exciting pace but the freshness of the first version is now gone. This feels more like one of the second series of George Lucas special effects laden Star Wars movies. 

There is an amusing Senate enquiry scene where Garry Shandling plays Senator Stern who is shown up when Justin Hammer’s robots malfunction in hilarious ways. It is this sense of humour and fun combined with Robert Downey Jr’s eccentric performances that give the Iron Man series their edge and uniqueness, particularly in the superhero genre. 

The standout music scene is at the start of the movie where ACDC is again played with dancing girls and a stadium full of adoring Iron Man fans. 

There is a grungy sordid feel to this movie whether it is the Russian setting in the cold and decrepit looking apartments, Ivan Vanko’s gold capped teeth, tattooed body and bedraggled hair or seeing Iron Man drinking like a fish and shooting weapons at stationary objects like a second rate cowboy. These are not the actions of a hero let alone a superhero. Seeing Dan Cheadle in another Iron Man suit somehow takes away from the unique nature of the superhero. Is it the suit or the person within who makes the hero? The final sequence where Iron Man disposes of the robots one by one is fairly mundane and filmed at night with innocent women and children in jeopardy. 

Iron Man 2 is following in the footsteps of Spiderman 2 (2004) but pales in comparison. Both movies show the vulnerabilities of the main character when his power and self-belief are at their lowest point. Yet Tony Stark looks like a spoilt broken man while Peter Parker fights all the way.
It is fine to show a hero’s frailties but don’t turn him into someone the audience does not want to support.

More Alcoholic man than Iron man. (2.5 out of 4 stars)

Iron Man (2008)

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Iron Man (2008)
This movie is like the ‘muscle car’ of superhero movies as a back to basics, raw and powerful depiction of patriotism and patriarchal sensibilities. Tony Stark (Robert Downey Junior) is a billionaire genius who, like his father, makes sophisticated weapons for the military. He is ironically blown up by his own bombs and is captured by middle-eastern terrorists. It is during his capture that he creates the rudimentary ‘Man in the Iron Mask’ crossed with a ‘Ned Kelly’ like iron man prototype suit. Tony Stark battles the terrorists, the military and his own capitalist money fixated company to standby his new anti-war values.

A notable aspect of this movie is the product placements by Audi and Burger King. As a result of this movie I now have an ongoing fantasy of owning an R8 V10 Audi sports car and using it to order a drive through burger meal. (Greenspan S 2008)

Tony Stark is the quintessential male hero with brains, money, women and adventure. Not unlike an American take on James Bond. He is also a good guy who while having the occasional fling as a batchelor, does have a crush on his assistant Pepper Potts (Gwyneth Paltrow).

There are obvious reasons the main villains are middle-eastern based given the events of the September 11 terrorist attacks and the resultant Iraq War. There is also a corporate rival in the form of Obadiah Stane (Jeff Bridges) who worked with his father and is a real sheep in wolf’s clothing. The battles are fought in the desert, in the air, in the boardroom, in the garage and the media. This is more than an action movie and is a thought provoking humorous rollicking ride commenting on US Government sales of weaponry to terrorists, corporate greed, the morale use of technology given the flying drone debate and that scientists with high IQs can get the girl and be uber-cool.

What is interesting with Iron Man is he is someone who fights mano a mano at close quarters but with a technological edge, fitting nicely into the present digital technology environment. His life threatening heart issue is now his greatest asset as a power generator is converted like an alternative energy source to energise his incredible suit.

Robert Downey Jr is laid back, intelligent, playful and in total command of his character. He is arguably the best superhero actor ever. Every scene he is in he enhances with his magnetism and presence. His interactions with the computer and the robotic arm are reminiscent of Three Stooges sketches.

The performances of Gwyneth Paltrow and Jeff Bridges are what complete the movie. Gwyneth Paltrow is very cute while also smart and sassy as Pepper Potts. Jeff Bridges depiction of the backstabbing villain is a ruthless, strong and worthy adversary for Tony Stark. The supporting cast is also excellent with Christine Everhart (who also appears in Iron Man 2) and Raza Faran Tahir putting in solid performances as the respective sexy journalist and chief terrorist.
The effects are cleverly imagined. The transition from the rudimentary iron man suit with pull cord missiles, what looked like an 1980s Apple computer driven suit of armour that falls apart on impact, to the streamlined artificial intelligence and state of the art Ark technology powered suit is extremely clever and engaging.

The scene where Mr Stark flies to the edges of the earth’s atmosphere covering him in ice are used twice in the same movie and in Hulk (2003). I am not sure why there is a fascination with this scenario other than it potentially saves money to use the same special effects. 

Director Jon Favreau has made a self-assured smoothly paced movie with the same sense of laid-back style as a Richard Donner Superman (1978) and George Lucas Star Wars (1977) capturing the excitement and creativity of the 1970s stylisation. There is wonderment, there is adventure and above all there is entertainment.

What a soundtrack. ACDC blasts out of the speakers making a perfect companion to the sports cars, exploding missiles and supercharged suits. The general music, especially when accompanying Tony Stark’s first test flight around the coastline is very well matched adding to the excitement and drama with a driving rhythm.

The cinematography zooms in on Miss Potts putting her hand into Stark’s chest cavity to connect wires, shows what it is like to be Tony Stark in his suit and takes a wide shot of an exploding mountain destroyed by one of the Stark missiles. The scene where Iron Man takes out the terrorists in the village is an iconic action sequence with equal amounts cool, vulnerability as he is shot down by a tank and humanity as he saves a family. 

The sound is thrilling with the incredible noise of Iron Man’s rocket thrusters as he accelerates across the sky crackling, through the speakers. There is also the scene featuring the Hummer carrying Mr Stark being shot by the terrorists and losing his hearing which muffles the sound of the explosions and gun fire around him.
 
Dealing with issues of war and terror, gender equity of Pepper Potts and the formidable female journalist together with scientific blending of technology and the human body make this a pleasure for the mind as well. 
Iron clad entertainment. (3.5 out of 4 stars)

Incredible Hulk (2008)


Incredible Hulk (2008)
Oh Ang Lee where were you! It is not difficult to tell that this movie is aimed squarely at young males predominantly in the IT profession who wish they had big muscles and dated Liv Tyler.
In short, this movie starts where the first ended in South America. Bruce Banner (Edward Norton) is in Brazil and the US military in the form of General Ross (William Hurt) wants him as a weapon. Bruce in turn wants to cure himself so he can be with his girlfriend (Liv Tyler) and an English soldier (Tim Roth) wants to have the power of the Hulk. In a nostalgic touch Lou Ferrigno again features this time as the voice of the Hulk.

Edward Norton recreates the performance of the climatic scene in the original The Fly (1958) movie communicating in every scene with his eyes to “kill me, kill me”. The reasons to want to die for appearing in this movie are the absence of dialogue and the Michael Bay like (Armageddon) obsession with special effects as opposed to a storyline, character development and anything remotely concerned with intellectual pursuits. 

The main character is Bruce Banner who transforms into the Hulk when his blood pressure gets above 200 heartbeats per second. I know this because the Director regularly uses a heart rate monitoring device to show how Bruce struggles to remain in control.

Liv Tyler reprises her role from another Michael Bay movie called Armageddon where she is a beautiful woman who stands by her man. William Hurt is good as Liv’s father and Tim Roth is menacing and scary as the villainous character. The standout performance is by the scientist Mr Blue Dr Samuel Sterns (Tim Blake Nelson) who engenders the only glimmer of humour and positive tone in the movie.

This movie is a special effects fest. The special effects for the Hulk and the transformation scenes are excellent but he seems more animalistic and brutish in his rendering than the first movie. There is a new character called the Abomination which is really an excuse for the special effects IT whizzes to come up with a grotesque inside-out version of the Hulk. The scene featuring the audio canon and the Hulk is a definite highlight from a SFX perspective. 

The Direction by Louis Letterier is like that of someone driving a car on cruise control. The plot is like something from an average child’s storybook and the setting is more like a physical obstacle course from a computer game featuring Brazillian slums or the city scenes in the final fight set piece. The scenes, settings, characterisation and dialogue appear two-dimensional as we watch the Hulk smash and break things. The technique showing the number of days since incident or turning into the Hulk, from my cynical view, seemed like an editing device injected after the movie was filmed to try and create drama and interest. 

The music and sound were incidental and background fillers and a lot like traffic noise. The use of lighting in the factory scenes where the Hulk could not be fully seen was well conceived and executed. The action scene at the University where the military were filmed attacking the Hulk were nicely filmed and provided a contrast between the refinement and sophistication of the university and the raw violence on its grounds. 

I do not honestly know what would be the take-out message for this movie. It is mostly likely do not mess with science and genetics by taking performance enhancing drugs or you will become majorly ugly and psychotic. The end of the movie keeps the Abomination alive which makes the heart sink about the possibilities of his reappearance.
The Incredible Abomination [1.5 stars out of four]